Breathes there a man with soul so dead,
Who never to himself hath said,
This is my own, my native land;
Whose heart hath ne'er within burned,
As home his footsteps he hath turned
From wandering on a foreign strand?
If such there breathe, go, mark him well;
For him no minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim,
Despite those titles, power and pelf,
The wretch, concentered all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonoured, and unsung.
— Sir Walter Scott
Tuesday, 24 February 2015
Monday, 16 February 2015
Pathetic Tipperary Display
National Hurling League Division 1A:Dublin 2-20; Tipperary 0-14
In yesterday's game, played at Parnell Park, Dublin,Tipperary's inept display was reminiscent of the worst period — in the late '70's and early '80's — of their hurling recession between 1971 and 1987. The truth of the matter is that the recession in Tipperary hurling never ended; it simply improved from a dire situation as exemplified by the euphoria with which we all greeted the first round championship victory over Clare in 1983.
Being happy with winning one All-Ireland senior championship every decade is very depressing. In the 1950's and 1960's — the glory years of Tipperary hurling — titles were won by first time ground hurling, great spirit and physicality. It was a time when the leading Tipperary club teams could take on the top clubs in any other county and beat them. The changes to the club championship system allowed teams of inferior quality to continue playing senior year after year in a competition which guaranteed them 4 or 5 games even if they lost each one. The idea of relegation was anathema to those involved at club and board level. Not surprisingly, the competitive element and standard deteriorated. Tipperary teams, for a long number of years, have been unable to hit the ball on the ground and they are lacking the defensive qualities to properly defend the goal — and I am not talking here about foul tactics.
Unfortunately, hurling has become a handling game — especially over the past ten or more years. At times it is like rugby played with hurleys. Tipperary are finding it hard to compete with teams that always favoured the handling game because they lack the craft and physicality.
Sunday, 8 February 2015
The Irish Peasant Girl
The song, Slievenamon, from the pen of Charles Kickham, has become the anthem of Tipperary. His other song, The Irish Peasant Girl, is dear to the hearts of those of us who live near the Anner at the foot of Slievenamon. I will quote the words hereon:
The Irish Peasant Girl
She lived beside the Anner,
At the foot of Slievenamon,
A gentle peasant girl,
With mild eyes like the dawn,
Her lips were dewy rosebuds,
Her teeth of pearls rare,
and a snowdrift 'neath a beechen bough,
Her neck and nut brown-hair.
How pleasant 'twas to meet her
On Sunday,when the bell
Was filling with its mellow tones
Lone wood and grassy dell,
And when at eve young maidens
Strayed the river-bank along,
The widow's brown-haired daughter
Was loveliest of the throng.
O brave, brave, Irish girls —
We well may call you brave;
For the least of all your perils
Is the stormy ocean wave,
When you leave your quiet valleys,
And cross the Atlantic's foam
To hoard your hard-won earnings
For the helpless ones at home.
"Write word to my dear mother —
Say we'll meet with God above;
And tell my little brothers
I send them all my love;
May the angels ever guard them,
Is their sister's prayer" —
And folded in the letter
Was a braid of nut-brown hair.
Ah, cold and well-nigh callous
This weary heart has grown,
For thy hapless fate, dear Ireland,
And for sorrows of my own;
Yet a tear my eye will moisten,
When by Anner's bank I stray,
For the Lily of the Mountain foot
That withered far away.
— Charles J. KickhamThe following is taken from Tipperary County:People and Places which is described as an anthology of people, places and sites in the history of Tipperary. It was published in 1993 and it's editor was Michael Hallinan. Michael was a graduate of Trinity College, Dublin. He occupied a number of important positions in the Civil and Public Service. He was born at Aughavolimane, Ballinamult, the southernmost townland in County Tipperary.
The Irish Peasant Girl was first contributed to the Celt in 1859. It was intended as a protest against the national evil of emigration, with special reference to the moral dangers to which young people were exposed on board ship in those harsh times. Kickham had been inspired by the fate of an exquisite gentle girl who pined away in exile, and who had sent some of her brown tresses, with a tender message, to her little brothers and sisters on Anner's bank at Killusty, Fethard, Co.Tipperary. The poet always called to see his cousin Catherin Carew, whenever trout-fishing in Killusty, and her departure for America.
Michael Cavanagh of Cappoquin (later of Washington D.C.) who met Kickham in New York in 1864, on referring to Maid of Anner, was shown her photograph by him."The face seemed to be of a girl of eighteen, of oval shape, every feature as perfect as a painter ever imagined. But its great charm consisted in an expression of angelic innocence"
— James Maher, Mullinahone
Subscribe to: Posts (Atom)